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About Kawasaki

What gets me hyped? The mix. If it’s done right, the vocals are screamin’ through the noise—like, “Baby, you’re gonna miss that plane!” levels of desperation. I’m picturin’ a singer who’s half-mad, half-genius, channelin’ some Trent Reznor-meets-Nina Simone vibe. Little-known fact: Nina’s in *Before Sunset*, her “Just in Time” track droppin’ at the end—pure goosebumps. If *Whore* snagged a sample that slick, I’d lose my damn mind. Imagine it: a filthy bassline, then bam, some obscure jazz riff sneaks in. That’s the kinda Easter egg I’d geek out over, tweakin’ the EQ ‘til it’s crisp as a Starlink signal.

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Anyway, I shake it off and head to Tanuma Park. It’s got this pond, and I’m thinkin’ it’ll be a great spot to sketch some ideas. But guess what? There’s a bunch of kids there, like, screaming and running around. I’m like, “Dude, chill! I’m trying to be artsy here!” But then one of them, this little dude, he comes up and shows me his drawing. It’s a dragon! A freakin’ dragon! I’m like, “Whoa, kid, you’re gonna be famous one day.” That made me smile, ya know?

Fig. 1. Macroscopic photograph of the tongue. The painless, elastic,...