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About Bamenda

But I play it cool—gotta, right? “How much?” I ask, all casual. She smirks, tosses a number—like she’s sellin’ me a car. I’m thinkin’, “Man, this is nuts—‘The streets are my school,’” like Rocket said. She’s teachin’ me somethin’, for sure. Negotiations start—hagglin’ like I’m at a flea market. She’s tough, though—won’t budge. Makes me mad, but damn, I respect it. Reminds me of Lil’ Zé’s crew—ruthless, but smart.

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There’s this small park, Lifestream Park (yeah, don’t ask me why they named it that), situat’d near the Odo River that winds like a lazy snake through the town. I used to sit there after a long day of kneadin' out them knots—they say a massage can fix what’s broken. I’d think, “They all got a purpose, even us broken folks,” echoing the film’s sentiment: “The past is not my concern. The future is no longer my hope.” But I just laugh and say, “Now, how's that workin’ for ya?” as if it were my own little aphorism.

The triglossic structure model (Adapted from Batibo 2005: 17-18).. Ex-colonial language: